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You are a gift to humanity

You who choose to work with children. You are a gift to humanity.

No matter what field you are in.
Whether you are a teacher working in a school or are daily in touch with children.
You are a teacher.

This book is dedicated to you.

This book is about you as a communicator and a facilitator. You are leading these little minds to be one-day become leaders of our world. You see, this is a serious business but the key secret is playfulness. Be playful as much as you can. Be your best friend. This book is intended to travel with you, on the long, but exciting journey. Yes, working with children is a long, partially complicated, but exciting journey. Let's make it together, you don’t have to do it alone.

“It Is
Not About What
You Teach or Do, But the Quality
Of The Energy You Send with. Love Is The Highest Energy That Is.”
-Kouame Sereba-

You are going to love this.

Working with children is an exciting journey. Please do it with joy. Remember, every challenge in this journey is only an opportunity. Remember also that we, as human beings, are endowed with enormous potential. There is no better opportunity to use this potential than working with children.

You will have to work on yourself, and you will grow enormously with it.

Be positive and honest with yourself. You are a gift that comes to the kids. You have to treat yourself like that, a gift. Rejoice in yourself as a human being, love and own the material you want to teach the kids, and they will love you. Kids can see right through you when you stand there and want to communicate to them. You cannot fool them. Be yourself. The kids are waiting for someone like you.

"Children learn best when they like their teacher, and when they believe that the teacher likes them".
-Gordon Neufeld-

You are the instrument.

You are the instrument. The instrument, must be tuned before you meet the children. Just as a musician always tunes the instrument before he or she goes on stage, you should tune yourself to resonate and be in equilibrium in the room where the children reside.

Learn to tune yourself, again and again, and soon you will easily know when the instrument is or not tuned, and since no one likes to play an un-tuned instrument, you fix it and Voila! You continue with your work. It works like magic. You will like it, and the kids will like it. For children, without being able to put it into words, will know, they will see that something is true when they are in contact with you. You become their man or woman, they want to learn from exactly you, and you will love to be with them and teach to them whatever you are teaching. This is win-win.

This is about a dynamic relationship between you, the teacher, with the kids.

“ The time is always right to do what is right
-Martin Luther King Jr-

Be the change you wish to see.

The Indian peace activist, Mahatma Gandhi used to say “be the change you wish to see”.
Do not wait to be the bright spot for the children, be it now. See the image of you now. Literally now. Imagine yourself as the inspiring spot. You can do it many times so that it shines through you. The children will see it and will love what they see. Children are like scanning machines. Remember, we cannot fool them, they see right through us. Take control, don’t do this marvelous job of working with children by default, let them find beauty there, when they scan you. Remember, you are the instrument. Tune the instrument and meet your audience.

• Sales Rank: #1002454 in eBooks
• Published on: 2016-02-11
• Released on: 2016-02-11
• Format: Kindle eBook

Most helpful customer reviews

1 of 1 people found the following review helpful.
... reach into the heart of our own strength and joy and the way to bring these to our teaching ...
By Joanne Crofford
Kouame Sereba provides insight and tools to reach into the heart of our own strength and joy and the way to bring these to our teaching and to the children and adults we teach. Exercises such as the "Gratitude Basket" can equip us to understand how to put this into practice and become the teacher they will never forget. Is there any higher honour? Since enrolling in the Zikalo Academy, taught by Kouambe my students are profoundly happier, enjoying their learning, and embracing the heart of music, drumming, and their fellow students. They feel better about themselves, more confident, and more motivated in their playing. I see that his approach works, better than anything else I have learned over the years of many courses and many books. And my classes are full from the moment they are advertised as both myself and the students enjoy this learning time together. After more than 20 years, this has transformed my teaching.

1 of 1 people found the following review helpful.
This is like all the spiritual work I've done over the years ...
By Else-Marie Haakonsen
This is like all the spiritual work I've done over the years put together in a short book. Still it is like a revelation to me. Kouame has his own personal deep experience and way of passing on the wisdom. And working with children, as I do, too, I suddenly connect my personal journey and my professional work like never before. I put some advice into practice directly, yesterday, with wonderful results! This book is a great gift to all who teach, guide, support and perform. And a love story.

1 of 1 people found the following review helpful.
Blossoming teaching
By Mikael Khei
Sharing your spirit and growing as a human in service of the ones you teach!

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[Q649.Ebook] Download A History of Violence: Living and Dying in Central America, by Oscar Martinez

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This is a book about one of the deadliest places in the world

El Salvador and Honduras have had the highest homicide rates in the world over the past ten years, with Guatemala close behind. Every day more than 1,000 people—men, women, and children—flee these three countries for North America. Óscar Martínez, author of The Beast, named one of the best books of the year by the Economist, Mother Jones, and the Financial Times, fleshes out these stark figures with true stories, producing a jarringly beautiful and immersive account of life in deadly locations.

Martínez travels to Nicaraguan fishing towns, southern Mexican brothels where Central American women are trafficked, isolated Guatemalan jungle villages, and crime-ridden Salvadoran slums. With his precise and empathetic reporting, he explores the underbelly of these troubled places. He goes undercover to drink with narcos, accompanies police patrols, rides in trafficking boats and hides out with a gang informer. The result is an unforgettable portrait of a region of fear and a subtle analysis of the North American roots and reach of the crisis, helping to explain why this history of violence should matter to all of us.

• Sales Rank: #284743 in Books
• Published on: 2016-03-08
• Released on: 2016-03-08
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x 1.10" w x 5.80" l, 1.25 pounds
• Binding: Hardcover
• 288 pages

Review
“Martínez dives into the underworld of his subjects, navigating barrios that police won’t enter, spending days and nights with gang members. His methods resemble war reporting and his prose is cinematic … The collection’s strength lies in his ability to write the hell out of his material. Like Katherine Boo’s Behind the Beautiful Forevers and Adrian Nicole LeBlanc’s Random Family, it skimps on statistics and analysis, instead relying on description alone to create a world that captures the reader and doesn’t let her go. One of the stories, ‘El Niño Hollywood’s Death Foretold,’ evokes Gabriel García Márquez’s Chronicle of a Death Foretold. Like the beloved Colombian writer, Martínez pens scenes that are suspenseful, moving, and vivid.”
—New Republic

“Martínez is a gifted storyteller with an astute, observant eye and a voice that beckons to be followed … A History of Violence is a necessary read, especially for US government officials crafting immigration policy against migrants and refugees from the region. It sheds light on why so many are braving the treacherous trek through Mexico to reach the United States.”
—Los Angeles Review of Books

“Martínez’s credentials for writing about this ignored human tide are impeccable: his first book, The Beast, drew on eight trips clinging to the roof of the infamous migrants’ train through Mexico, chronicling their desperation in grippingly graphic detail. His new book, A History of Violence, takes a step back to explore what the migrants heading to the US are running away from … the unflinching cameos it paints offer a chilling portrait of corruption, unimaginable brutality and impunity.”
—Financial Times

“If you take just one book to Central America on holiday, don't pick this one. Oscar Martinez has written a punishing account of the lives of the poor in Guatemala, Honduras and El Salvador. Melding acuity and anger, he unveils the scary realities of organised crime … Mr Martinez deserves credit for bringing it so effectively to life.”
—Economist

“As the current wave of US Immigration and Customs raids authorised by President Obama deports Latino migrants, and Donald Trump boosts his election campaign with promises to build a wall along the US–Mexican border, Martínez endeavours to explain why, for many Central Americans of the northern triangle, returning home is a death sentence.”
—Independent

“Ripped from the headlines, these are powerful stories of Central America’s chaotic and bloody present, sure to raise awareness among a broad audience of North Americans, whom Martínez refuses to let off the hook. ‘The solution?’ he asks. ‘It’s up to you.’”
—Library Journal

“In Spanish, the tradition of the crónica is in-depth testimonial reportage blended with personal essay, and Martínez is a worthy inheritor. Martínez’s work conveys an intimate knowledge of the social and criminal ecosystem—both macro-level context and telling minutiae. But because he isn’t afraid to follow dangerous paths, the result are jewels with moments of intense emotion presented against a historical background that contemplates military, social, economic, religious, psychosclogical and all sorts of other factors … I am in awe of Martínez’s commanding style. ”
—Ilan Stavans, In These Times

“Agonizing stories … [Martínez] urges readers to understand what Central Americans are going through and what compels them to seek refuge in the United States.”
—Ramón Rentería, El Paso Times

“Dives deep to the problems driving the region's violence and impunity … If The Beast was a look at the dangers of the journey, A History of Violence focuses on why people take it to begin with.”
—Jared Goyette, PRI’s The World

“No place is dangerous enough to quell Martínez’s hunger for the truth, as the intrepid newshound sniffs around in occupied prisons, grim police stations, hellish whorehouses, desolate crack dens, isolated ranches and battered barrios, all the locales omitted from the tourism brochures. To understand how corruption operates in Central America, Martínez goes to where it operates … gritty journalism.”
—Hector Luis Alamo, Latino Rebels

“Reading Salvadoran journalist Óscar Martínez’s nonfiction portrait of violence in Central America, it seems fantastically lucky for all of us that he’s still alive … The reporting is an act of courage; the book is a plea for comprehension of the terror that drives people from Central America to the United States … Martínez’s portrait of Central America as killing field is a plea not only for comprehension of immigrants’ race for the border but also for empathy.”
—Nancy Nusser, Texas Observer

“Martínez draws readers into this complex narrative by alternating between a panoramic social sweep and the beleaguered lives of civilians, victims, gang members, and cops, capturing the multilayered nature of a place whose indigenous traditions are being brutalized by modern criminals who commit murder casually … Smart, angry immersive journalism from an author who warrants wider readership on this side of the border.”
—Kirkus

“Martínez tenaciously reports piece by piece on the accretion of gang-related violence besetting El Salvador, Honduras, and Guatemala … Martínez's reporting reveals shocking failures of the state—particularly of police and courts—but he avoids tidy lessons, preferring to let the intractable issues stand in all their cold brutality.”
—Publishers Weekly

“A haunting portrait of a tragic, complicated part of the world.”
—Shelf Awareness

About the Author
Óscar Martínez is the author of The Beast: Riding the Rails and Dodging Narcos on the Migrant Trail. He writes for El Faro, the first online newspaper in Latin America.

Most helpful customer reviews

6 of 7 people found the following review helpful.
All in all this book is an excellent depiction of crime
By Carmen
As a major fan of Oscar Martinez's journalism I was simply counting the days for this books release once I got my hands on it I cracked the book open and I began yet another literary journey into the darkness that has engulfed Central America. The book for those of you who haven't read it is most definitely not for the faint of heart lots of depiction of violent crimes such as homicides. At times I often found myself setting the book down in order to not lose my full faith in humanity but my faith however remained thanks to journalistic heroism of Oscar Martinez who constantly puts his own life at risk while covering events in Latin America. One of the most striking aspects of this particular book is that Oscar Martinez decided to center part of the book that takes place in his native El Salvador around a single individual know as El Niño Hollywood or El Kid Hollywood. Quite possibly one of the most interesting real life characters in modern literary history a notorious Mara Salvaturcha hitman turned state's witness for the government who often describes his claimed murders in a casual manner. I never thought that I could feel for someone as malevolent as this cat but thanks to Oscar Martinez immersive writing I found myself empathizing to a certain degree with The Kid. All in all this book is an excellent depiction of crime , destruction , and the corruption of both human nature and the state. Long live Oscar Martinez!!
Tips for Taking on this Book
1. Read The Beast by Oscar Martinez first it's technically the spiritual predecessor of this book . The book will also allow you to get used to Oscar Martinez writing style which is an immersive one and immediately places the reader into the action taking place. After which Oscar Martinez gives the reader some background over the situation at hand as the chapter continues.
2. Brush up on your Central American Geography the book includes a map of Central American countries and the states that compose them. I find that it would have been super helpful if the publisher had placed the exact geographic location of all of the cities that are depicted in the book.
3. Highly recommend this book to anyone who's into Criminal Justice or human migration patterns. Also if you are a fan of The Wire or any other cerebral cop shows you'll probably enjoy the hell out of this book. Oscar Martinez's writing is similar to that of David Simon's and Ed Burns writing on the show in which you are usually thrust into the action and are given background as the episode ensues.

0 of 0 people found the following review helpful.
Five Stars
By William J Remmel
This is a powerful read.

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Great book

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This book is intended for mechanicians, engineering mathematicians, and, generally for theoretically inclined mechanical engineers. It has its origin in my Master's Thesis (J 957), which I wrote under the supervision of Professor Dr. R. Timman of the Delft TH and Dr. Ir. A. D. de Pater of Netherlands Railways. I did not think that the surface of the problem had even been scratched, so I joined de Pater, who had by then become Professor in the Engineering Mechanics Lab. of the Delft TH, to write my Ph. D. Thesis on it. This thesis (1967) was weil received in railway circles, which is due more to de Pater's untiring promotion than to its merits. Still not satisfied, I feit that I needed more mathe­ matics, and I joined Professor Timman's group as an Associate Professor. This led to the present work. Many thanks are due to G. M. L. Gladwell, who thoroughly polished style and contents of the manuscript. Thanks are also due to my wife, herself an engineering mathematician, who read the manuscript through critically, and made many helpful comments, to G. F. M. Braat, who also read an criticised, and, in addition, drew the figures together with J. Schonewille, to Ms. A. V. M. de Wit, Ms. M. den Boef, and Ms. P. c. Wilting, who typed the manuscript, and to the Publishers, who waited patiently. Delft-Rotterdam, 17 July 1990. J. J.

• Sales Rank: #4940443 in Books
• Published on: 1990-10-31
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .88" w x 6.14" l, 1.49 pounds
• Binding: Hardcover
• 314 pages

Review
` This book clearly reflects such twofold remarkable expertise of the author and is recommended to all research workers in the title area. '

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• Published on: 1702
• Binding: Paperback

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[B793.Ebook] Download The Tube Amp Book - Deluxe Revised Edition Book and Disk Package (Hardcover), by Aspen Pittman

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(Book). Already known as the bible of tubes and tube amps, The Tube Amp Book is now even better! This deluxe revised edition contains 40% new material, with a comprehensive A-Z section covering all the great tube amp manufacturers, with histories, photos and information. Brands include Ampeg, Dr. Z, Fender, Gibson, Hiwatt, Marshall, Matchless, Mesa/Boogie, Orange, Vox, Watkins and many others. Features a CD-ROM with 800 available schematic and layout diagrams, from Ampeg to Western Electric, plus dramatically improved design and page layout. The book's technical tips, in-depth electronic specs and explanations, over 350 schematic diagrams, and full-color plates make it a must-have for the legions of tube-tone fanatics. Hardcover with convenient enclosed spiral binding.

• Sales Rank: #463489 in Books
• Brand: Backbeat Books
• Model: 331091
• Published on: 2003-09-01
• Released on: 2003-09-01
• Original language: English
• Number of items: 1
• Dimensions: 13.50" h x 1.39" w x 11.00" l, 5.50 pounds
• Binding: Spiral-bound
• 380 pages

Features

• 40% new material11"W x 14"H416 pgs.100 pgs. on manufacturersTechnical articlesModsTube conversions200 pgs. of schematics800 schematics on CD

About the Author
Aspen Pittman is the founder and president of Groove Tubes LLC, leading producer of tubes for amplifiers and microphones.

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100 of 103 people found the following review helpful.
Slanted: too much an adverstisement for GT
By Christoph D. Cole
I've been fooling with tube guitar amps for decades. I more or less know what I am doing with them, and I've found most of the information that I want on line. But I thought it would be nice to have a book or two to consult when my wife or daughter was at the computer, when I was tinkering with an amp, or when I just didn't feel like sitting at a desk and looking at screen. Based on its appearance and description, I chose this book. Bad decision.

This book insulted me. I felt used and abused by the author, and that has perhaps tainted this review. I expected a comprehensive and useful guide. That is what this book should have been and what the format and price -and the use of "THE" in the title -- seemed to promise. Instead, I dropped $33 on a big, glossy advertisement for the author's "Groove Tube" tube-selling operation and, by extension, the manufacturers who buy tubes from him.

To make a happy customer, promise less and deliver more. This book went the other way.

Yes, some of the content is useful and interesting, written passages as well as photos. But the section describing amp brands and histories is rendered woefully incomplete as the author veers and swerves through it to make opportunities to refer to himself and his tubes and pimp for the manufacturers that buy from him. (Be wary of authors who never miss opportunities to tell you how important and knowledgeable they are. Quality of content should speak for itself.) Redundancies abound, further wasting the reader's time and valuable space that could have been used to at least mention other manufacturers or give some details about those that deserved more than a paragraph or two. But then, perhaps those manufacturers will yield to the pressure, become Groove Tube customers, and thus buy space in the next edition.

The technical section lacks depth and development, apparently a patchwork of reprinted magazine articles, disconnected one to the next, but with more shameless plugs for Groove Tubes inserted here and there. Many of the articles are reasonably well written and helpful in themselves and would be perhaps be a pleasure to find in a magazine. But overall, the technical section is less coherent and developed than one would expect in the sort of publication that this presents itself to be. Again, the book seems to promise more but delivers less.

Others have commented on many the schematics being illegible or inaccurate.

Perhaps the greatest disappointment is the section comparing tube types. Only tubes marketed by Groove Tubes are included, and they are all, of course, listed by their Groove Tube catalog name and are all shown photographed with the big GT logo prominently displayed. If you are looking for descriptions or comparisons of raved-about tubes by Tung-Sol or Svetlana or the like, you can do much better on the Internet, thank you. You won't find them here.

The book has its good points. It is big. It is glossy. The spiral binding is user-friendly. You will get some insights into the hows and whys of tube amp history and evolution - but then, the book is not unique in that. It has lots of great photos - but even here there are annoying redundancies and omissions: some things described in a way that makes them intriguing are not depicted while other things are shown again and again. Did I mention redundancies?

This book might be a good addition to the library of someone who already has lots of books about tube amps and has room on the shelves for more. But if you are looking for just one or two more or less comprehensive books on the subject, look elsewhere.

I was not happy with my purchase and returned the book.

79 of 85 people found the following review helpful.
Poor Image Quality Ruins Book's One Attribute
By Keith Carlsen
Aspen Pittman, whom I have met and talked to at several industry conventions such as NAMM and AES, is not a highly technical individual: in fact I doubt he even understands basic electronics. His book is therefore a compilation of a lot of schematics and (on Fenders) parts layouts for guitar amplifiers, and a few articles written by various tech writers, some of which are of merit and some of which aren't.
The schematics are not very legible and many contain known errors. For this price, he could at least get that part right. I don't recommend this book unless you cannot find a needed schematic or layout anywhere else.

22 of 24 people found the following review helpful.
The Tube Amp Book - Good, but not a DIY guide
By Astronaut Jones
I am building a 50 watt tube amp based off of Marshall & Fender designs; somewhat of a hybrid. I bought this for the schematics and such. The book is more of a history of tube amps, info on the parts/tubes & schematics, but it is not a DIY book. If you do not know what you are doing and you want to build your own amp, this book will not be a help. If you already know how to build one and need schematics and would also like to know the history of amps and the parts, this is good book for that. Also as stated in previous reviews, the schematics can be very hard to read, some are handwritten or bad copies, but with some work, can be read.

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A unique collection of music in original form by the greatest composers. This volume contains 77 works divided into solos, folk songs, études, sonatinas, and duets.

• Sales Rank: #2288256 in Books
• Published on: 1998-12-31
• Released on: 1998-12-31
• Original language: English
• Number of items: 1
• Dimensions: .33" h x 9.06" w x 12.00" l,
• Binding: Paperback
• 96 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
original classical music that even beginners can play!
By Mrs Anna Martin
This collection of pieces is great because there are easy to play pieces by Beethoven, Scarlatti etc. I like the Sonatina section best; they sound very accomplished when you play them but actually they are really easy. There are also some nice Etudes to use to practice basic techniques; these are lovely too. I didn't enjoy the first folk song section so much and I have no-one to play the duets with, but I intend to buy the book today!

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NOTE: Before purchasing, check with your instructor to ensure you select the correct ISBN. Several versions of Pearson's MyLab & Mastering products exist for each title, and registrations are not transferable. To register for and use Pearson's MyLab & Mastering products, you may also need a Course ID, which your instructor will provide.
Used books, rentals, and purchases made outside of Pearson If purchasing or renting from companies other than Pearson, the access codes for Pearson's MyLab & Mastering products may not be included, may be incorrect, or may be previously redeemed. Check with the seller before completing your purchase.

This text is intended for either a one-semester accelerated introductory course or a traditional two-semester sequence covering C++ programming. It is also suitable for readers interested in a comprehensive introduction to C++ programming.

 

Tony Gaddis’s accessible, step-by-step presentation helps beginning students understand the important details necessary to become skilled programmers at an introductory level. Gaddis motivates the study of both programming skills and the C++ programming language by presenting all the details needed to understand the “how” and the “why”—but never losing sight of the fact that most beginners struggle with this material. His approach is both gradual and highly accessible, ensuring that students understand the logic behind developing high-quality programs.

 

In Starting Out with C++: From Control Structures through Objects, Gaddis covers control structures, functions, arrays, and pointers before objects and classes. As with all Gaddis texts, clear and easy-to-read code listings, concise and practical real-world examples, and an abundance of exercises appear in every chapter.

 

MyProgrammingLab for Starting Out with C++ is a total learning package. MyProgrammingLab is an online homework, tutorial, and assessment program that truly engages students in learning. It helps students better prepare for class, quizzes, and exams–resulting in better performance in the course–and provides educators a dynamic set of tools for gauging individual and class progress.

 

Teaching and Learning Experience

This program presents a better teaching and learning experience—for you and your students. It will help:

• Personalize Learning with MyProgrammingLab: Through the power of practice and immediate personalized feedback, MyProgrammingLab helps students fully grasp the logic, semantics, and syntax of programming.
• Enhance Learning with the Gaddis Approach: Gaddis’s accessible approach features clear and easy-to-read code listings, concise real-world examples, and exercises in every chapter.
• Keep Your Course Current: This edition introduces many of the new C++11 language features.
• Support Instructors and Students: Student and instructor resources are available to expand on the topics presented in the text.

Note: Starting Out with C++ from Control Structures to Objects with MyProgrammingLab Access Card Package, 8/e contains:

• ISBN-10: 0133769399/ISBN-13: 9780133769395  Starting Out with C++ from Control Structures to Objects , 8/e
• ISBN-10: 0133780619/ISBN-13: 9780133780611 MyProgrammingLab with Pearson eText -- Access Card -- for Starting Out with C++ from Control Structures to Objects, 8/e
  

MyProgrammingLab is not a self-paced technology and should only be purchased when required by an instructor.

 

• Sales Rank: #243059 in Books
• Published on: 2014-03-20
• Original language: English
• Number of items: 1
• Dimensions: 9.90" h x 1.60" w x 7.90" l, 4.36 pounds
• Binding: Paperback
• 1248 pages

About the Author
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Tony Gaddis is the principal author of the Starting Out With series of textbooks. Tony has nearly two decades of experience teaching computer science courses, primarily at Haywood Community College. He is a highly acclaimed instructor who was previously selected as the North Carolina Community College “Teacher of the Year” and has received the Teaching Excellence award from the National Institute for Staff and Organizational Development. The Starting Out With series includes introductory books covering C++, Java™, Microsoft® Visual Basic®, Microsoft® C#®, Python®, Programming Logic and Design, Alice, and App Inventor, all published by Pearson. More information about all these books can be found at www.pearsonhighered.com/gaddisbooks.

Most helpful customer reviews

56 of 57 people found the following review helpful.
Good book, but be careful if you buy used
By Matthew Maguire
This is an excellent book if you are new to C++ or even if you have some prior programming experience. It covers numerous topics and a lot of the information can be generalized to other programming languages as well.

My one major complaint is that the author/publisher have only made the appendices and extra materials available for 6 months with a special online code, only one of which comes with the book. If you need a new code, you have to spend upwards of $20 for it. In case you purchase a used copy of this book, the code will likely already have been used. Isn't the point of buying a book so that you get all of the information in one place without having to pay ANOTHER $20 for a new code which only works for a limited time? Limited time literature, seriously? Stupid.

31 of 31 people found the following review helpful.
An Absolutely Wonderful Introduction to the C++ Language
By E
We're using 'Starting Out with C++: From Control Structures through Objects' in our freshman C++ class. The author Tony Gaddis has a very nice, lucid writing style that explains the basic fundamentals of the C++ language to a beginning crowd: the text is not bogged down with overly verbose technical language as this is not appropriate for beginners.

But don't think that Gaddis doesn't introduce technical aspects of the language to the reader: he does, and does so in a fresh, clear manner, which makes this text actually very enjoyable in the classroom and even outside of the classroom.

I love the code samples in every chapter which makes for great studying: you can sit down with the text in your lap and type the code examples in your compiler, run it, see the results, and play with it. The author seems to understand that you really learn C++ (or any language for that matter) by not reading the book, but through trying the examples as there are literally TONS of code examples per section in each chapter to try out.

I also really appreciate the checkpoints capping every section to test your knowledge of what you just read, the "gotcha" notes interspersed throughout each chapter, as well as the 'Focus on Software Engineering' asides that introduce beginning programmers to important aspects of code style, comparisons/contrasts between C and C++, what constructs are better to use in certain situations over others, etc.

The text also comes with a CodeMate CD-ROM and sold separately is the Lab Manual but also comes in handy (or is a necessary evil if you have to purchase it anyway for lab like me).

All in all, if you are a computer science/engineering major or minor or you're simply someone who wants to learn how to program from a text that covers material more like a college textbook rather than an O'Reilly overview book, 'Staring Out with C++' is the way to go. If you read through the chapters, do the checkpoints, run the code examples, do the chapter reviews at the end, and pay attention to the 'Focus on Software Engineering' and gotcha asides, you'll be up and programming in C++ in NO TIME. This is a beginner's text but you'll learn about typecasting, creating your own functions, and the chapter on loops and decision-making was the best I've seen in any introductory C++ text yet. Major kudos to Gaddis: keep up the excellent work! FIVE STARS!

26 of 26 people found the following review helpful.
Kindle Version Is Not The Same As The Full Print Version
By Michael
The textbook itself gets five starts. It does a great job of teaching a beginner programmer. Some of the chapters do seem to reiterate some topics more times than necessary, but perhaps that's the author choosing to err on the side of caution to make sure certain teaching points stick.

Taking online courses for my degree, I read this book pretty much from cover to cover. The book teaches to the beginner without being condescending. It is very well written with a lot of good examples, charts, figures, tables, etc. and tons of review questions throughout each chapter and yet more questions as well as "programming challenges" at the end of each chapter that give you a chance to apply what you've learned.

Having said that, Amazon only gets three stars on this book. If you buy the Kindle version, please note that it is NOT the same as the full print version provided by the link on the full print version's page. This Kindle "Brief Version" has some 200 fewer pages than the actual print version. Having seen the print version's table of contents, I noted that the chapters missing from the Kindle version include the following topics: Exceptions, Linked Lists, Stacks, Queues, Recursion, and Binary Trees. Therefore, if you're a computer science major, you probably want to go ahead and buy the full print version.

Had the Kindle version contained the last five chapters as I initially expected, it would get five stars. Now I know to verify Amazon's links by comparing the ISBN and page counts prior to buying a Kindle version. Live and learn...

See all 302 customer reviews...

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