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How to Paint Skin Tones, by James Horton, Hazel Harrison
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Problem solving instruction and practical color mixing charts help artists in all mediums master one of painting's most basic and troublesome elements.
- Sales Rank: #702110 in Books
- Brand: Brand: North Light Books
- Published on: 1995-09
- Original language: English
- Number of items: 1
- Dimensions: 11.25" h x 9.00" w x .75" l,
- Binding: Hardcover
- 143 pages
- Used Book in Good Condition
From Library Journal
Painting skin color in any realistic way is one of the most subtle and difficult tasks for any beginning artist. The traditional study of the early masters of portraiture limits the student, for the most part, to European Caucasians. Horton explores the full range of color differences among races and within races, from the smoothest young skin to the wrinkled marks of age. This book uses comprehensive charts and photographs to ground the student in mixing color in oils, acrylics, watercolors, and pastels. Subtleties of reflected color, hair color, and differences in exterior and interior lighting are all considered. Horton rounds out his very successful manual with examples of several artists' approaches to this daunting subject. This book should be in every art collection.
Copyright 1996 Reed Business Information, Inc.
Most helpful customer reviews
9 of 9 people found the following review helpful.
Indispensable guide to a difficult subject
By Plein Jane
I admit it: I bought this book for myself for a Christmas present, and it was well worth the price paid. Here is information I have never gotten in art school. Though it is probably entirely possible to learn to paint the face and figure by being presented with a model in a crowded and badly lit room, there has to be a better way, and I think this book is it. Through a clever system of charts using a palette of only 12 basic colors, author James Horton shows you how to create an infinite array of skin tones for people of pale, mid-tone and dark coloring. Specific modifications for pastellists are included, and though I'm just a beginner, I was amazed what I could do following his directions when I was only about a fourth of the way through the book. I recommend this very highly for all students, whether you're enrolled in an art course somewhere or just slugging it out on your own at home. I intend to finish every exercise in the book before I go back to art school at the end of January. Highly recommended!!!
0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Gives good points on various media to render various skin tones.
13 of 14 people found the following review helpful.
I like it, but
By Wyota
I like this book. It's not the greatest, but it's not bad. If you're starting out painting and need some basic guidance for general skin colors it's probably ok. Where it's lacking is in most anything beyond the basic color of skin. There's no discussion of skin color in shadow, in the halftones where the skin turns away from the light, or where the skin blends into the hairline. Little about the affect of light, surroundings, or location (cheek, chin, forehead, etc.) on skin color either. Those things make or break portraits and some (me) just can't seem to mix the right colors to go with the basic skin tone of the model. I wish that had been addressed in this book... that would make it worth 5 stars (and maybe what people are asking for it these days).
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